If this was the age of irony, nobody told Yo La Tengo ”” they just kept making one floridly romantic guitar record after another, doing for marriage what the Velvet Underground did for heroin.
Yo La Tengo, ‘I Can Hear the Heart Beating as One’ The result was a dark classic that was both stranger and deeper than most people noticed back in 1991.Īlso See All You Need to Know About Bong Joon-ho’s Upcoming Film ‘Mickey 17’Ĩ6. The album’s hypnotic sprawl centered around producer Prince Paul’s sampleriffic beats (see the disco-rap classic “A Roller Skate Jam Named ‘Saturdays'”) the guys also took on some brave subject matter (on the disturbing incest tale “Millie Pulled a Pistol on Santa”) while preserving their dextrous, clever rhyme styles. On their second album, De La Soul turned away from the “daisy-age” friendliness of their 1989 debut in favor of sleeker, head-snapping jams and skits that viciously sent up gangsta rap. I wanna ride it,” and have you unsure whether it was sexist or funny or both ”” and make it sound so fly that you never stopped grooving. Who else could sing alongside both Ronnie Isley and Biggie Smalls? Who else could say, “You remind me of my Jeep…. Gliding over a slick sound that gleams like the hood of a new Benz, Kelly opens his mouth and lets you hear the church in his phrasings, the street in his grit and the classic loverman in his allure. Kelly sang, wrote and produced an album that made him essential to contemporary black music.
#R KELLY YOU REMIND ME OF MY JEEP PRINCE FULL#
In its best moments, the result sounds like a cross between Full Moon Fever and Damn the Torpedoes and features the most focused and resonant lyrics Petty has ever written.Ī man who could stir both Saturday-night dreams and Sunday-morning sanctity into his music, R.
This shift in Petty’s conception of the album enabled him to combine the unduplicable power of a long-standing band of rock & roll confederates with the new directions he has pursued with Jeff Lynne, the new album’s co-producer and Petty’s fellow Traveling Wilbury. ‘Into the great wide open’ started out as potentially another Tom Petty solo record, but it eventually became a full-scale collaboration with his longtime backup band, the Heartbreakers.
The seventeen-year-old could sell a sexy song like a pro, but these songs could have sold themselves ”” with writing by Missy Elliott and production by a then-unheard-of Timbaland, One in a Million unleashed the futuristic Virginia Beach funk that would soon take over the radio.Ĩ9. Unlike Brandy, Aaliyah sang of sex that was hot like fire and of being a choosy lover. But where young MJ sang of love, Aaliyah was a black Lolita, a teenage temptress with a seductive power in her smooth voice. Like Michael Jackson a generation before, Aaliyah came out of the Midwest, a child singing of adult matters.
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